The work of French-Lebanese artist Gabrielle Bejani is dream-like, yet somehow defined, deliberate. Although in a state of continual flux, her vibrant paper landscapes are imbued with a kind of undulating geometry, a certain regularity coming up against more organic surfaces shaped by ceaselessly shifting edges, colours, textures, lines, and a cast of characters with a resonance both highly personal and yet recognisable to the viewer. Myriad shades of muted and jewel-like blues, reds and browns, colour rich landscapes of sky-like space, while half-remembered narratives take shape among them.

The haunting presence that proliferates her work is grounded in materiality, the delicate tearing, cutting and arranging of pieces as much a part of the whole as the mushrooming forms and scenographies that dance with fluidity across her compositions. Bejani’s created world gives a feeling of rhythmic, almost metronomic movement, in an environment too large, almost sublime, in its awe-inspiring scale.

Here is a stamp of Lebanon, gently placed, tiny among a vast night sky peppered with stars. Her stamps, like her figures, seem to mark the scene with a scale incommensurate with their surroundings; such a small and mobile mark in all that wide, endless space. A deliberate gesture, such lightness and such weight.

The Upper Gallery hosts an ongoing series of rotating displays and small-scale exhibitions. The program of the Upper Gallery is intended to spotlight projects which are experimental or smaller in scale, as well as overlooked practices of modern and contemporary art.

Under the patronage of Ministry of Culture

This event is supported by our main partners Dalloul Art Foundation @DAFbeirut and Loubna Khalil Foundation @saadallahloubnafoundation